Anastasia Khoroshilova
In the private relationship with the subject of her photographs, Khoroshilova records the person in front of her lens without passing judgment of any kind or resorting to lyricism or sentimentality. It is rather that her photographs tend to reveal the paradox that the subject of her portraits coincides with the ‚function’ or the place in which they are set, but behind this lies hidden great humanity suffused with emotions, needs, desires, fears, suffering and hope. There is no evidence of all this in the photography, only a latent evocation.